Wednesday, November 25, 2009

Homework for Tuesday, 1 December 09

Have a nice holiday. Before you come back to school on Tuesday 1 Dec., please do the following things as homework:

1. Using your play books, fill in the sheet for Archetypal Activity 1. If you are a guy, fill in the sheet for Romeo. If you are a girl, fill in the sheet for Juliet. This sheet will be handed out in class. If you need a copy, you can download it from Engrade.

2. In lieu of the Quickwrite, please complete the vocabulary quiz.

Facebook Survey Results

The SAT Prep / Journalism class did a survey yesterday of Facebook use amongst secondary students and teachers. They will be writing articles about Facebook over this long weekend. Interested in seeing the results and trends? Go to Facebook Survey to read more.

Monday, November 23, 2009

Homework for Tues., 24 Nov 09 and Thurs., 26 Nov 09

DUE TUESDAY:

1. Read ROMEO AND JULIET 4.4 and 4.5.
2. Quiz over 4.1-4.5.
3. Find (and write down) 5 loan words from 5 different countries AND 5 words from different categories (e.g., blend, compound, from proper name, etc.). Total: 10 words. Be prepared to write the 10 words you find on cards (which I will supply for you in class).
4. Check Engrade to see what homework and assignments you are missing--and get those finished ASAP.

WEDNESDAY -- After school, let's watch ROMEO + JULIET (Baz Luhrman). Room 406 at 12:30. See you there--with all the cushions, pillows, and bean-bags we can collect from around the school! Bring snacks!

DUE THURSDAY:

1. Finish the play (5.1-5.3).
2. Study for vocab quiz 8 from normal list, using an asyndeton sentence. You will write these in class.

Asydeton example: I came, I saw, I conquered. (Veni, vidi, vici -- which is apparently pronounced, "weni, widi, wiki".) So, if the word is "melodramatic," an asydeton sentence might be: I was melodramatic, my friends reacted, I was embarrassed.

Old English, Middle English, Modern English


Hope you enjoyed learning a bit about the history of the English language. If nothing else, now you know why we say "oxen" instead of "oxes" and "houses" instead of "housen," right?

For me, the most interesting part of the lecture (besides the text shooting around the powerpoint screen) was the comparison between the different versions of the Lord's Prayer. Here the versions are, if you'd like to examine them again:

The Lord’s Prayer – late 11th century, found in Bath (Old English)

Fæder ure þu þe eart on heofonum
Si þin nama gehalgod
to becume þin rice
gewurþe ðin willa
on eorðan swa swa on heofonum.
urne gedæghwamlican hlaf syle us todæg
and forgyf us ure gyltas
swa swa we forgyfað urum gyltendum
and ne gelæd þu us on costnunge
ac alys us of yfele. Soþlice

The Lourdes Preyere -- from the Wyclif Bible, 1390 (in Middle English)

Oure fadir that art in heuenes,
halewid be thi name;
thi kyngdoom come to;
be thi wille don, in erthe as in heuene.
Yyue to vs this dai oure breed ouer othir substaunce,
and foryyue to vs oure dettis,
as we foryyuen to oure dettouris;
and lede vs not in to temptacioun,
but delyuere vs fro yuel.
Amen.
English at the time of Shakespeare (late 1500’s – early 1600’s) – Modern English--King James Bible:

Our Father, which art in heaven,
Hallowed be thy name.
Thy kingdom come,
thy will be done
in earth as it is in heaven.
Give us this day our daily bread.
And forgive us our debts,
as we forgive our debtors.
And lead us not into temptation,
but deliver us from evil.
For thine is the kingdom,
and the power, and the glory for ever.
Amen.
Present day English:

Our Father in heaven,
hallowed be your Name,
your kingdom come,
your will be done,
on earth as in heaven.
Give us today our daily bread.
Forgive us our sins
as we forgive those who sin against us.
Save us from the time of trial,
and deliver us from evil.
For the kingdom, the power,
and the glory are yours, now and for ever.
Amen.



P.S. Pictured here is St. Gregory sending monks to the Anglo-Saxons.

P.P.S. I checked and learned that "Google" originated from a misspelling of "googol", which is 1 with 100 zeros following it. I also learned that the verb "to google" was added to the dictionary in 2006.

Thursday, November 19, 2009

Homework for Monday, 23 November 09


NOTE: DON'T GET CONFUSED! THIS IS MONDAY'S HOMEWORK. TO FIND THE HOMEWORK DUE FRIDAY, SCROLL DOWN THE PAGE TO THE CARTOON MAN WITH THE PEN.

====================
First of all, have a great weekend. Then...sometime on Saturday or Sunday think about this!

Homework for Monday, 23 November 09:

1. Read scenes 4.2 and 4.3.

2. Write the answers to these questions. Note: The questions are also posted on engrade.

a. Scene 4.2. Discuss the ways Juliet develops her powers of deceit in these scenes. Is her behavior believable? Are her parents too easily fooled?

b. What five fears does Juliet express in her long soliloquy? If you were Juliet, which of the five would you find most worrying and why?
3. This week (and last), you received some papers back, graded. Choose one of the papers and correct the mistakes and/or rewrite parts and post it on your blog.

For those of you missing class on Friday...

1. We will have a quiz over the vocabulary. You can download the quiz from Engrade after 10:00 a.m. tomorrow or get it here. Take the quiz at home and give it to me on Monday in class. Please do not cheat.



2. Quickwrite: Spend about 15 minutes and answer this question. You will not have enough time to completely answer this, but that is OK. Only spend 15 minutes. Turn this in on Monday.

Act 3.5.37-end of scene:
In this scene Juliet’s parents insist that she must marry Paris. What are the pressures Juliet is under and how does she react to them in this scene?

Before you begin to write you should think about:
(a) Juliet’s worries and feelings as she speaks to her mother.
(b) The confrontation between Juliet and her father.
(c) The Nurse’s advice, and Juliet’s reaction.
(d) the increasing pressure Juliet feels by the end of the scene.
(e) How your knowledge of Juliet’s true situation makes you feel sympathetic at the beginning of the scene—and how her language makes you feel increasingly sympathetic.

3. Write short answers to the following questions. Turn these in on Monday.

a. In Scene 3.5, how does Juliet trick her mother? She is clearly saying one thing and meaning another. What is she really saying?

b. What does this arrange marriage suggest to you about male-female relationships in Verona at that time?

c. As Capulet speaks, the tone and style of his language changes. He begins (lines 126-138) confidently offering fatherly comfort to Juliet. Trace how his language changes, and see how, in his second speech (lines 141-5), he talks of her in the third person (she, her). What do you think is the effect of this change?

d. Read lines 3.5.204-242. What do you think of the Nurse’s advice? Do you think the Nurse recognizes Juliet’s irony or sarcasm when she says “Amen” and “Well, thou hast comforted me marvelous much”? In what way(s) does the Nurse’s advice add to your knowledge of her character?

e. How has your understanding of Juliet grown in this scene?

Homework for Friday, 20 Nov. 09 -- for EVERYONE


Due Friday by class time:

A. If you haven't already done this, please post your obituary and your "whose fault for Mercutio's death" answers on your blog.

B. Study for vocabulary 3 quiz. A link for the complete list is on engrade and also on the following post: http://notmysword.blogspot.com/2009/11/homework-for-tuesday-10-november-09.html

C. Read 3.5 and 4.1.

D. Write the answers to the following six questions. Turn them in tomorrow.

Scene 3.5:


  1. In lines 1-25 Romeo and Juliet have a disagreement. What is it about and how “serious” is it?


  2. Look at lines 1-64. Which group of two or three lines best sums up the feelings of (a) Romeo (b) Juliet about their parting?


  3. How does Juliet react to her mother’s news of the planned wedding? What is her father’s first response to the news of her refusal?


  4. Is Capulet’s outburst against Juliet expected, or unexpected?


  5. “I would the fool were married to her grave,” says Lady Capulet (line 140). Do you think she really means it? Explain. Explain why this is an example of dramatic irony.
Scene 4.1:


  1. Consider Paris’s character and personality. Is he too cold a character to attract Juliet? Explain why or why not.

Shakespeare's Plays in Chronological Order


Someone asked today what Shakespeare's first play was. I couldn't remember, but now I know--having looked up the answer on Shakespeare Online. No one knows which was the first play he wrote, but certainly Romeo and Juliet was one of the earliest written. The first performed, though, was Henry VI, Part II.

For a complete listing and lots of other cool Shakespeare info, go to:
http://www.shakespeare-online.com/keydates/playchron.html

Tuesday, November 17, 2009

Bye-Bye, Tybalt!


Fencing in AP English today....plus freeze-frame scenes from scene 3.1. Hope you had a good time--and learned something in the process, too! For many more pictures, here's the link to my Facebook album: Romeo and Juliet.

Homework for Thursday, 19 November 09


1. Write an 100-150 word obituary for Mercutio or Tybalt. You will have to use your imagination, but it should sound serious rather than silly. Post this on your blog. See below if you don't know how an obituary is worded.

2. Write 100-150 words: Whose fault is it that Mercutio dies? Post this on your blog.

3. Read the following article on the authorship debate:

http://en.wikipedia.org/wiki/Shakespeare_authorship_question

Choose your position (and muster your ammunition)—is it Shakespeare, DeVerre, Bacon, Marlow, or someone else? Be prepared to discuss this (heatedly?) in class on Thursday.

----------
Here is a typical obituary which is about 150 words:


John Earl Jones, 80 of Racine, Wisconsin, died Saturday morning, February 7, 2009 after a long illness. Funeral service will be held at 12:00 noon Thursday at Maple Funeral Home Chapel.

For most of his life, Mr. Jones was the proprietor of Jones and Sons, a hardware store in downtown Racine. Mr. Jones started the business in 1940. His two sons later joined him in the venture. Mr. Jones was active in the Racine Chamber of Commerce, the Racine Community Theater, and the Friends of the Public Library Association. Mr. Jones was also a member of the Racine Presbyterian Church, serving on its elder board. He was known to be civic-minded and served in various leadership capacities for the Chamber of Commerce. He is survived by his wife, two sons, two daughters-in-law, and four grandchildren. In lieu of flowers, please make donations to the Racine Community Theater and/or Friends of the Public Library Association.

Sunday, November 15, 2009

Homework for Tuesday, 17 November 09


1. Read ROMEO AND JULIET, Scenes 3.3 and 3.4.

2. Quiz: (17.5 points)

  • 5 short answer questions over scenes 3.1-3.4. (5 points)
  • 25 matching questions (12.5 points) over the following terms and concepts discussed in class last week:
courtly love, monologue, soliloquy, aside, apostrophe, alliteration, consonance, assonance, personification, metaphor, simile, blank verse, rhyming couplets, allusions, tragedy and tragic hero, Petrarchan conceit, oxymoron, paradox, foil, hyperbole, understatement, dynamic and static characters, irony (verbal, dramatic, cosmic), motif (repeating images), diction, syntax, theme

Saturday, November 14, 2009

Homework for Monday, 16 November 09

1. Read 3.1 and 3.2.

2. Write on the prompt given in class. You may use your class notes and the text given. Spend no more than 30 minutes. Post your answer on your blog or type it and hand it in.

PROMPT:

PRACTICE FREE RESPONSE QUESTION 1:

The following passage (2.2.62 - 2.2.84) is an early exchange between Romeo and Juliet in Act 2, Scene 2. Read the passage, and then, in a well organized essay, analyze the author's use of such elements as diction, syntax, and other narrative devices to reveal and develop the modd of the Scene. [passage given]

Thursday, November 12, 2009

Homework for Friday, 13 November 09


Hello, there!

Here are your homework assignment, due Friday morning:

1. Read Scenes 2.5 and 2.6.

Extra help -- scene logs prepared by previous students:



2. Answer these questions in writing:
  • What time of day is it in Act 2.5? How do you know?

  • What is Juliet's mood as she waits for the Nurse?

  • How does the Nurse react when Juliet asks her what happened? What is Juliet's response to this? How would you feel if you were Juliet?

  • Consider the Friar's reservations about the marriage in Scene 2.6. Is he right to be worried?

  • While Romeo and Friar Lawrence wait for Juliet to arrive, they experience contrasting moods. What are they?

  • Shakespeare does not show us the wedding of Romeo and Juliet. Would the dramatic effect of the play be increased by adding the wedding scene?
Anon. See you tomorrow.
--Mrs. S.

Tuesday, November 10, 2009

Homework for Thursday, 12 November 09


1. Read and annotate (mark up!) the "Blue Like Jazz" article.
2. Re-Read and annotate Act 2.2. Use the side-by-side text handed out in class.
3. Finish looking over the AP multiple choice test and answers.

See you Thursday!
--Mrs. S.

P.S. Be sure to check engrade to see if you have any missing assignments. These are noted as missing in bold letters. If the line is blank, either the assignment has not yet been given or I'm still grading it.

Monday, November 9, 2009

Homework for Tuesday, 10 November 09

  • Read Romeo and Juliet Acts 2.3 and 2.4.
    • Answer (in your head) the related discussion questions.
          Quiz in class over Acts 2.1 through 2.4. (4 questions). Scene logs for 2.3 and 2.4 are at the bottom of the post.
        • Vocabulary List 2 quiz. See this link for the words. Note: If the link does not work, you can get a list (with definitions) from engrade. Go to the link for Tuesday's homework.


        • Vocab list

          Scene logs:

          2.3
          2.4

          Friday, November 6, 2009

          Homework for Monday, 9 November 09

          1. Read Acts 2.1 and 2.2. (The balcony scene!). There will be a short quiz. (worth 5-10 points)

          2. Answer these questions (without writing):
          discussion-writing handout

        • Act 2.1 -- 1,2,3

        • Act 2.2 -- 3-6, 8, 10, 13-14


        • Note: To better understand the scenes, here are some scene logs. Perhaps they're not terribly in-depth (since they are done at the IGCSE level), but they might spur you on--just as the discussion-writing questions (above) might--to a deeper, AP-level.

          2.1 2.2

          3. Finish adding all the links to your classmates' blogs and make sure they are correct! No more links to odd Swedish sites, ok? LOL. Also, make sure you've added the class blog to your list. (worth 5 points)

          4. Add your California handbill as your second blog entry. Emily has sent you this via email, so all you have to do is paste it into your post editor. (worth 5 points)

          5. Comment on 3 of your classmates' blogs. Be encouraging and positive. (worth 5 points)

          6. Peruse down to the very first post of my blog (about tired, old ladies) and make one comment on one of the posts. (worth 5 points)

          -- Mrs. S. (tired and old)

          Better than Bulwer-Lytton?

          Despite the disappointment that some of you felt about your symbolism paper grade, I was impressed with the writing. Many of the essays were superbly written, even if they were a bit out-of-focus. Learning to focus, stay on topic, and stick to the prompt are all things you can learn, don't worry.

          My own experience is that every time I write--which is a minimum of 500+ words a day--I learn something and become a better writer. Taking AP English is about more than passing a test or getting a grade. It is also about appreciating literature, learning from it, and honing your analytical skills. It's about being stretched. When what you read is good literature, there is the possibility of growing and becoming a better person as well. When you write, you also grow because you realize things you didn't see before.

          I thought your papers rocked. Anyway, they were far superior to anything written for the Bulwer-Lytton Ficton Contest.

          Every year San Jose State University sponsors a contest "to compose the opening sentence to the worst of all possible novels." It's called the Bulwer-Lytton Fiction Contest, named for Edward Bulwer-Lytton, the man who penned the following (awful) lines:
          "It was a dark and stormy night; the rain fell in torrents--except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness." --Edward George Bulwer-Lytton, Paul Clifford (1830)

          Here is a sampling of some of the winners of the 2009 contest: BAD FICTION OPENINGS!

          Be encouraged.
          --Mrs. S.

          P.S. Some of you may be skeptical of the 10 minute "masked ball" we're going to do today, but that's ok. There IS a method to my madness. This is to make learning fun; it's a bit of sugar to make the medicine go down, so to speak. Fifteen years from now, I want you to remember studying Shakespeare as being a fun experience. No doubt you'll remember the blogging, the fencing, and the dancing more than you will remember archetypal criticism or chiasmus. (Well, maybe you'll remember the chiasmus sentences and commas. Who can say?) Hopefully, you'll also remember the Okies, courtly love, Tom Joad, Tybalt, Lancelot, and the turtle. Don't forget the turtle.

          ------
          photo: bulwer-lytton.org

          Lost Luggage? Maybe It's in Phoenix


          Ever lost luggage while traveling? Maybe it's in Phoenix!

          In an odd news story that broke this week, apparently a man was arrested for stealing luggage from the Phoenix Sky Harbor airport. When Keith Wilson King's house and property were searched, police found more than 1,000 pieces of stolen luggage. Interested in reading more? Here's a link: STOLEN LUGGAGE.

          King was holding garage sales to get rid of the stuff! Ha! Now we know where all those lost, never returned bags went!

          Hmm. Years ago we mailed two shipments of books to ourselves via the cheap US Postal Service m-bag system and never received them. I wonder if Wilson-King has them in his back yard? (Just kidding.)

          Speaking of luggage...have you seen this cartoon (using one of our vocabulary words!)?


          ---------
          text: pjfs 2009.
          photo: www.petergreenberg.com

          Thursday, November 5, 2009

          Explanation of Homework for Friday, 6 November 09

          1. Prepare your mask for our very short (10-15 minute), masked ball. It does not have to be fancy or elaborate or even decorated, but it should be something you can actually wear.

          2. The vocabulary quiz is over the words on the vocabulary link below on http://notmysword.blogspot.com/2009/11/blog-post.html for list 1. (20 words. matching or fill in the blank.)

          3. Write for a maximum of 15 minutes on one of these 2 questions from the question sheet for 1.5.

          • 8. You are Tybalt. You meet your friends as you're leaving the Capulets' party. Tell the story of the party and your past experiences with the Montagues. Be sure to capture Tybalt's tone and language.

          • 10. You are the Nurse. Describe the ball.

          Wednesday, November 4, 2009

          Baz Luhrmann and Franco Zefferelli Thanked

          Glad you enjoyed watching the two versions of Act 1.1-1.3 of ROMEO AND JULIET. We'll watch more later. We want to thank the two directors for keeping us entertained through three whole scenes.

          And now, for something completely different...

          I thought you might find this slightly amusing. It's a picture I drew a few months back, when we first heard about Swine Flu--now called H1N1. At the time, tensions were high, and everyone was scared of this pandemic. Now that some of you have had the flu, was it worth all the scare? What do you think?


          P.S. Don't forget to add the class blog to your blog list: http://notmysword.blogspot.com. The blogs are looking GREAT, by the way.

          Monday, November 2, 2009

          No More Chiasmus!

          The overwhelming response today was NO MORE CHIASMUS.

          Okie-dokie. No more sentences using the chiasmus pattern. Think of it this way: you will never forget this sentence pattern! In addition, in wrting in this pattern, you produced these memorable sentences:

          • Ask not how capacious your country is, but how your country can be more capacious. -- Sarabeth

          • Joe hated to be palpitated by the doctor and refused to remove his shirt; the doctor hated it when his patients made his job difficult. -- Ethan

          • Don't ask someone to allay your fears; but ask if you can allay someone's fears. -- Josh

          • Propitious seemed their plan, but it was flawed in reality. -- Nathan

          • The didactic way she taught the class was classy in that it was didactic.--Zach

          • The capacious room held many treasures, but the treasures were not held by the capacious room. -- Andrew

          • His capacious stomach filled, in filling it was no long capacious. -- Amy

          • The capacious countryside was said to be refreshing; after feeling refreshed, I left the capacious countryside. -- Tim Yan

          • His heart palpitates when he is in love; and being in love makes the palpitations of his heart. -- Joy

          • This didactic poetry will teach you a lesson, but the lesson will not be one on poetry. -- Julie

          • The weather man claimed today would be propitious, but the unpropitious day proved him wrong. -- Emily

          • Phlegmatic or apathetic people are boring; but not all boring people are phlegmatic. -- Ross

          • The punishment was mitigated; the mitigation lessened the punishment. -- Rachel

          • That which is diurnal is not always safe; but that which is safe is not always diurnal. -- Char

          More soon.
          -- Mrs. S.

          P.S. Here is a picture for a t-shirt for ferroequinologists:

          Sunday, November 1, 2009

          ROMEO AND JULIET. Finally there!

          We're now on to our next unit, ROMEO AND JULIET!

          I've been thinking of ways of cutting down on my photocopying (to save trees!), so I'll experiment with this unit. For your perusal, most of the handouts will be posted on this blog.

          A. The homework for this week is:

          HOMEWORK DUE:

          MON. , 2 Nov. 09 DONE!
          1. blog set up
          2. satire revised and blogged
          3. vocabulary 7 quiz done
          4. grammar 17: 184-188.

          TUES. , 3 Nov. 09 DONE!
          1. read intro info, prologue and Acts 1.1 and 1.2.
          2. Answer questions (without writing answers to them):
          Prologue— 1-3
          Act 1.1— 1,3,6-11
          Act 1.2— 1-7
          3. (We'll do the links later.)

          THURS. , 5 Nov. 09 DONE!

          1. Read Acts 1.3, 1.4 and 1.5
          2. Answer questions (without writing):
          Act 1.3— 1-6
          Act 1.4— 2-6
          Act 1.5—1-3, 5-7.
          3. grammar 18, 189-200. (Omit whatever we do in class.)

          FRI., 6 Nov. 09 DONE!

          1. mask prepared
          2. study for R&J vocab quiz 1
          3. writing #2: answer question 8 or 10 (Act 1.5) from reading questions

          Note: Answering the study questions—even in your head—will help you better understand what you are reading. I hate to suggest this, but if you skip doing the questions, I may have to have you write the answers (so that I know you are doing them).

          B. Links:

          Ok. Here goes my first attempt at uploading files to a blog using a website that embeds pdf's. The files open a bit slowly at first; therefore patience will be rewarded!

          To save you time, I've also found character logs and scene logs prepared by my previous classes (not AP English level, but they should get you thinking). Here are all the scene links for Act 1. That's all I'll post now so I don't overwhelm you.




          In addition, here are character logs for the main characters in the play, listed alphabetically: